Showing posts with label Gordon Brewster. Show all posts
Showing posts with label Gordon Brewster. Show all posts

Saturday, April 11, 2020

GORDON BREWSTER: TIMELESS


Haverty Trust - a wind fall
Source

I was remarking recently that some of Gordon Brewster's cartoons are timeless, in the sense that they deal with issues which are still with us in one way or another. So I thought I'd fish out just a few and relate them to modern times.

This is one of my favourites. He depicts himself as a street artist who is gratefully accepting a philanthropic donation on behalf of the arts community. He features himself in many of his cartoons and he gives us a clue here by putting his signature not on the cartoon itself but on one of the artist's street cartoons. If I ever write a book on Brewster this will be on the cover.

As to the timelessness: the arts community is still living a life of precariousness, now I understand rendered as precarity.

War




War - careless keepers
Source

The title of this cartoon is "Careless Keepers". Wars don't just happen. Conditions have to be just right for the catalyst to trigger the war. It is usually a matter of chickens coming home to roost.

So the emphasis needs to be on the quality of the peace. You only need to think of the Treaty of Versailles and reparations (alluded to below), of modern resource wars (also mentioned below) such as, in our own time, the invasion of Iraq and the subsquent destabilisation of the Middle East.

Anticipating Brexit


NI handout - John Bull to the rescue
Source

The 1920s, to which period these cartoons refer, was a time when much of the world was reorganising itself after WWI. In Ireland this period saw the foundation and consolidation of the Irish State following the 1916 Rising and its aftermath, the War of Independence and the Civil War.

Then, Northern Ireland was to prove a running sore, and even today it is now at the heart of Brexit, with the backstop (or what's left of it) serving as a proxy for Britain's own self doubts and political complacency.

The South always maintained that Northern Ireland was a failed state, though the degree to which this was stated in public depended on the times and the speaker.

The cartoon above is hitting at the North's dependence on British handouts which were discreetly channeled through the Northern Ireland Unemployment Insurance Fund.

Despite all that has happened in the meantime, including the North's evolution to semi-detached status via the Belfast Agreement, the British are falling over themselves attempting to ignore it in the context of Brexit.



The cottage on the border
Source

We in the South, are very well aware of the length and porous nature of the Border. We are also very aware of how invisible it has become over the last twenty years. Its physical resurrection as a result of Brexit carries enormous dangers, not just paramilitary but economic.

Just as the UK has enmeshed itself in the EU over the years, the North and the South have participated in seamless economic activity across the whole island, faciliated by common membership of the EU.

The cartoon above, implicitly poses the question of how this particular border crossing is to be managed after Brexit. Will you need your passport to come down for your breakfast in the morning or to retire at night after a hard days work?

Post Brexit deals?


John Bull - toy gunboats
Source

Dr. Liameen Fox, and his successors, had his eye on China for post Brexit mega-deals. Even as early as 1926, the date of the above cartoon, UK gunboat diplomacy was on the wane and an object of universal mockery.

Just as Britain had not come to terms with its post WWI status, today she foolishly casts herself as a siren of trade desired by all and sundry.



Gunboats - the far east
Source

A British raiding party? No doubt many surprises in store, then as now. This cartoon was just prior to the surrender by the British of the Hankow concession back to China.

Reminds me of the Hong Kong handover in June 1997. I was there a few months later and was struck by constant references by the Chinese to Hong-Kong-China, never Hong Kong on its own.



Russian markets - a soother for baby
Source

This one is so self-explanatory as to not need any comment from me.



USA tariff wall
Source


I know this relates to Ireland but I couldn't resist its inclusion with USA and a wall. Anyway, the Brits have been viewing the USA market as one of their post brexit trump cards or ace in the hole.

Exploitation overseas


Gandhi - strange as it seems
Source

I really love this one. It could do with a rerun today with the topicality of the Amritsar massacre.

Brewsters own note to the cartoon is a lot more restrained than mine would have been:
Notes: "Gandhi is said to be coming to the Round Table Conference with a bill for £1,200,000,000 which goes back to the days of Queen Elizabeth when The East India Company first exploited the Uahatmas ancesters. The bill includes, over-taxation, illegal charges, and interest".



Oil - Uncle Sam's Mexican policy
Source

I can't remember which of George Bush's sidekicks, or was it Nixon's Kissinger, who referred to "our oil under their land" with the implication that some action should be taken to repair the Divine Creator's cock up.

Former Ambassador Craig Murray's recent blog post sets an even later context.

The cartoon goes all the way back to 1927.

Election Promises


Straying cat - and the cat came back
Source

This one and the next one really don't need any comment from me.



Political cheque - settling day - is it a dud?
Source

Taxation



Mechanised Revenue - the iron constitution
Source

This is from 1931 and Brewster notes:
"The taxpayer can always appeal to a higher official for redress if some lowly servant of the state treats him with discourtesy, or makes an error in calculating the cost of service rendered, but one cannot argue with an automatic machine. (The British Government has discovered that labour-saving machines are an economy)."

For "mechanised" substitute "computerised" and we're bang up to date. Though I have to say here that Revenue were leaders at the cutting edge of digital services and they went out of their way to make the final product as comprehensible and user-friendly as possible.



Taxable capacity - the merrion st distorting mirror
Source

This still remains the case - the coflicting views of the Government and the ordinary taxpayer on the latter's taxable capacity.


Reparations/Debts



Reparations - something overlooked
Source

This cartoon from 1932 refers to German WWI reparations.
Brewster notes:
Regarding Dr Bruening's declaration on the cessation of Germany's reparations payments, our Berlin Correspondent states "circumstantial evidence indicates a firm conviction in both the German Government and the German people that reparations are dead and done with".
Reparations were imposed by the "winners". Today the "winners" walk away leaving enduring genetic legacies from toxic chemical and radioactive weaponry behind them and nobody blinks an eye.



Debts - the wait's a chilly reception
Source

Then there are the war debts of the "winners". Brewster notes:
"The American Secretary of States reply to the British Note on War Debt payments leaves the matter very much where it was".
It would remind you of the recent financial meltdown and how the burden of "Irish" debt was left with the Irish.

Fascism


Hitler - the big noise in germany
Source

This is from 1930 when the Nazis became the second largest party in the German Reichstag (parliament). Just a few years later Hitler was in control of Germany.

How easy it can happen even in a democratic state.

Is the West heading that way with examples like Trump in USA, and the Brexit-fixated and incompetent Boris & Co in the UK, all sponsored by big money & foreign powers.

I'm not posing exact equivalence, just pointing out the frailty of the system.


Disarmament


Disarmament - a circular tour
Source

Comment here is superfluous.

Tory Party


Surrender
Source

And so back to Brexit. This cartoon has many resonances. While originally a comment on the Tory Party's reaction to the formation of a new Empire Party in 1930, it could serve as Gordon's advice today to stop messing about and hand over to someone who knows what they are at and what would be best for UK, Ireland and the EU.

Sadly, Brexit has happened. All that's left, for now, is the length of the transition and the shape of the new deal. And the signs are that the Tories are digging in.

Wednesday, December 12, 2018

PAGES OF THE SEA


Click on any image for a larger version
History might as well be water, chastising this shore;
for we learn nothing from your endless sacrifice.
Your faces drowning in the pages of the sea.
The quote above is from a poem by Carol Ann Duffy, written especially for Pages of the Sea, which was read by individuals, families and communities on the day.

As Danny Boyle, who conceived this idea, said, it's hard to be original with commemorations year after year. But he has come up with this brilliant idea.

At low tide, on armistice day, portraits of a number of WWI casualties are drawn in the sand at a number of carefully selected beaches. People come and pay their respects and, as the tide comes in, the sea claims the images.

At a more personal level, there are stencils which people can use to draw generic outlines in the sand and dedicate them to family members killed in the war or whom so ever. These are then also claimed by the sea.

I'd like to comment on three of the former type and one of the latter.


Wilfred Owen



Wilfred Owen was a war poet and he embarked for France at Folkestone. He was killed in the last week of the war in 1918. His poetry dwelt on the horror and savagery of war, much of it expressed in jarring para-rhyme.

I was introduced to Owen's poetry in school, in the late 1950s/early 1960s by an inspirational English teacher, Michael Judge.


Hedd Wyn (Ellis Evans)



I have long had an interest in Welsh poet Hedd Wyn (Ellis Evans) from Trawsfynydd. His story is embedded in Welsh Wales martyrology. He was posthumously awarded the Bardic Chair at the Birkenhead Eisteddfod having lost his life in Flanders between the submission of his winning poem and the proclamation of the winner at the Eisteddfod. On that occasion the Chair was draped in black.




Robert Taylor



My connection here is with a distant cousin-by-marriage, Patrick Joseph Daly, who went down with the HMS Tipperary in the Battle of Jutland in 1916. The fleet set out from its Scapa Flow base in Orkney. Robert Taylor was born in Orkney. There is another non-family connection with Robert who fought at Paschendale and was killed at Poelcapelle near Ypres, not far from where Hedd Wyn had fallen earlier that year (1917). However the connection I have in mind arises from him being buried in nearby Poperinge which has strong connections with Dún Laoghaire, as I have myself.


Theophilius Jones



This one is a little trickier.

Who the hell is Theophilius Jones and what is the Redcar connection?

Well, Theo is believed to have been the first military casualty on British soil from enemy fire during the First World War. But that is entirely irrelevant to my story.

Redcar is a beach in North Yorkshire and the nearest I've been to it is Durham, in the mid 1970s, when a policeman in a Panda car caught me shinning down the Castle drainpipe in the middle of the night. That too is irrelevant to my story.

Leigh Brewster lives in the Redcar area and he is a grand-nephew of Richard Gardiner Brewster whom he was commemorating on the beach. That is very relevant to my story.

Richard died in France on 21 March 1918.He was the brother of Gordon Brewster, the artist and cartoonist, who died in my mothers shop on 16 June 1946. Leigh is Gordon's grandson.

So now that's all sorted and clear as a bell.



This photo and those below are from Leigh Brewster

This is Leigh roughing up the exposed sand within the stencil, creating a generic image which will be part of Richard's memorial.



The finished memorial to Richard Gardiner Brewster is now ready to be claimed by the sea. Note the poppy.



This is Leigh's 4 year old granddaughter, Lizzie Rose Brewster, also doing one of the stencils for other family members lost during the war. Her figure was the last one stencilled on the beach.

Lizzie is Gordon's great-great-grand-daughter. Isn't that something.

There are many layers to this project, one of which is well illustrated above.

The stencil here is clearly of a female. It is a generic female/nurse and it is designed to honour the many women who were involved in WWI and their civilian sisters. A fitting stencil for Lizzie's memorial though, on the specifics, this one in the sand is for two of Lizzie's male ancestors.

The inscription on the left reads "Ernest Williams 1915" and is to Leigh's wife Angela's great uncle, killed in 1915. The inscription on the right reads "Stanley Wheeler 1918" a great uncle of Leigh's, killed in 1918. So the net, even within this one family, is spread wide and the engagement has come down through many generations.

The female stencil is also being used by some to remember civilians who died during the conflict.

Even "the unknown soldier" is not forgotten. As Leigh describes it:
One of the aspects that was particularly evocative was this. As you approached the beach, the organisers handed out a random photo of someone killed during the war. There was a poem on the back. A number of people then did a stencil and placed the photo with that stencil.

In effect, remembering the sacrifice of someone they had no connection with.
Leigh also referred me to this account of the raid in which Theophilius lost his life. It also helps an understanding of why this particular location was chosen for participation in the project.


All those personal memorials. I had known about Pages of the Sea and the big facial images but had not copped the personal dimension. When Leigh told me about Richard's memorial, that and the rest of those you see above had already been claimed by the sea.



Full marks to Danny Boyle for a brilliantly thought-through project.

Sunday, October 21, 2018

GORDON BREWSTER ON THE RADIO


Gordon Brewster at his desk

I had the privilege of talking to Patrick Geoghegan this evening (21/10/18) on Newstalk's Talking History show about Gordon Brewster.

In replying to Patrick's perceptive questions I'm amazed at the amount of stuff I managed to get into the 10 minutes or so.

Heartfelt thanks to producer Susan Cahill for taking me in.

Herself and Patrick can feel well rewarded when I say that Gordon's family (grandchildren in England) were very appreciative of this opportunity to bring their long neglected grandfather to public notice once again.

Anyway, with all that said, you can hear my most recent 10 minutes of national fame below:


Item on Gordon Brewster from Podcast of
Talking History on 21 October 2018

Due to time constraints the reference to other cartoonists and to present day use of Brewster's cartoons did not go out in the live broadcast but it is included in the podcast.

To hear the full show, or any of the many other podcasts on the Newstalk site, click on the image below.



Podcast of show broadcast on
Sunday 21 October 2018

Thanks are also due to Felix Larkin for alerting me to the collection of Gordon's cartoons in the National Library of Ireland (NLI) and to Honora Faul of NLI for giving me acces to them and for putting me in touch with Gordon's family.

Thanks to Carol Maddock for the invitation to do a post on Gordon in the NLI's blog, and to Bríd Ó Sullivan for my talk in NLI.

Dermot Quinn sorted me out for the talk virtually outside the Gem in Howth and Máire Kennedy invited me to give the talk in DCLA where some twenty members of Brewster's family and connected persons came over from England to attend.

Thanks to Séamas Ó Maitiú for the opportunity to repeat the talk recently in Rathmines.

Gan dearmad ar Cian Mac Carthaigh agus Cárthach Bán Breathnach i Raidió na Life.

It's slow, but we're getting there.

Thanks to Gordon's family, and in particular to his daughter Dolores who is no longer with us, for support and encouragement.

Tuesday, July 03, 2018

DOLORES - ART


Click on any image for a larger version

Dolores left us on 7 May 2016, and though I had known her only a bare two years I miss her. She was a lovely lady, the most serene and open I have met. Though it's now a little past her second anniversary, it seems appropriate to celebrate an aspect of her life - her art.

If I'm to be brutally honest, I must admit that this was drafted for the anniversary but got lost in my drafts. As you'll see below, it's not the first time that family's art "went astray".



Dolores's interest in painting did not surprise me, though I only found out about it after she had gone.

She would have done art at school, Santa Sabina in Sutton, and her father would have encouraged her interest at home.

Were it not for the hand of fate, she would have attended the Dublin Metropolitan School of Art (now NCAD) like her father and aunt before her.



Her father was Gordon Brewster, an RHA exhibited artist and the chief cartoonist with Independent Newspapers. Outside of his official duties he would draw copiously for his children.

Sadly he died suddenly in 1946, when Dolores was only 17, and his estranged wife came back over from England to sort out his affairs and "to claim the children".



That was the end of Dolores's art for for the moment.

In fact it was also the end of Gordon's fine art, most if not all of which went up in smoke in the back garden.









Although she helped her own children with their colouring when they were young, Dolores didn't turn to the painting until later in life when she had more leisure and joined an art group, with which she stayed until the end.

What you see above are just a tiny few examples of her paintings.

I love the colours, but, of course, there are those around me who secretly, and sometimes not so secretly, seem to think I'm sort of colour blind. But no matter.



Sadly, around the turn of the millennium, Dolores's sight began to fail and she retreated to the black and white pencil drawing which she could only do with great difficulty.



I don't know what inspired the man with the creel of turf. Perhaps it was from Wicklow or the West of Ireland. It's unlikely to have been from Howth or Sutton, which is where Dolores lived up to the time she went to England. It may have just been from her imagination.



I was very taken with this one, not for its artistic merits but for what it evokes. I was never at the Raheny trotting but was always conscious of passing the grounds on the train to and from Howth which is where I spent the first four years of my life.



Dolores Brewster-Scott
1929 - 2016

Monday, February 19, 2018

FREE STATE PARTIES


General election September 1927
Link to cartoon in NLI collection
Click on any image for a larger version



General election September 1927
Link to cartoon in NLI collection



General election September 1927
Link to cartoon in NLI collection.

All three cartoons above relate to the general election of 15 September 1927. They are all by Gordon Brewster in whom I have an interest.

They appear in Mel Farrell's new book "Party Politics in a New Democracy - The Irish Free State, 1922-37" and they were the initial cause of my interest in this book, which was launched in the RIA on 8/2/2018.

The 1927 election was extremely important in the evolution of the Irish parliament into the two party system which has persisted up to the present day, more or less.

We have had coalition governments but they have been effectively dominated by one of the two major parties, Fine Gael (formerly Cumann na nGaedheal) and Fianna Fáil. The year 1927 saw the anti-Treaty party abandon its policy of abstention and take its seats in the Dáil. It went on to oust the Cumann na nGaedheal government in the subsequent election in 1932.



Stephen Collins

Stephen Collins, former political editor of the Irish Times, was the guest speaker and the big name draw. Stephen gave some background to the Irish political party system, and recounted how he, like Mel, became fascinated by it He has spent much of his life to date writing about it and his columns are well respected. He is also related to Mel so his contribution was a mix of the professional and the personal.



Filipe Ribeiro de Meneses

A most interesting speaker was Mel's professor and supervisor in this endeavour. Filipe's interests include Portugese and Spanish history, decolonisation, and the First World War. He recently (2009) published a biography of Salazar.

His approach to Mel's work was to see it in the broader European context. Ireland was a new state which bucked the European trend towards fascism, establishing and maintaining a robust democratic political party system.

Mel's approach, on the other hand, was very much to concentrate on the purely domestic aspects of the evolution of political parties in the Free State.

In the event, the tension between these two approaches has produced a work that synthesises them and firmly sets the development of the Irish Free State in its European context. In doing so, it underlines the tremendous work done by the political leadership during this period.



Mel Farrell

When it came to Mel's own innings he recounted his fascination with party politics from an early age and he thanked so many people that my head was starting to spin. It subsequently spun a bit more when I read the acknowledgements in the book itself - a tribute to the thoroughness of Mel's research and to his modesty in his wide crediting of its fruits.

I was very pleased to see him acknowledging Lynne Pentlow, Gordon Brewster's grand-daughter for the use of the cartoons. In fact, I was very pleased to see the well chosen cartoons in the book.

After his sudden death in 1946, and given that his wife and children subsequently lived in England, Brewster had slipped from the Irish consciousness. It is good to see increasing recognition of his work in recent times.

I am only at an early stage in reading the book but I can already see that it is authoritative and very tightly written.



The Longford Contingent

There was a strong showing from Longford at the launch and the event merited a significant report in the local paper. The Longford connection also gave me the opportunity to tell my police cell story to an appreciative audience in the conversations that followed the official launch.



Mel with his parents Anne and Paddy

As I was ostentatiously sporting my camera I was pressed into service for some group photos. This one of Mel's parents, Anne and Paddy, made it to the current issue of the Longford Leader.



Anna Duignan

Mel had a special word of thanks to Anna Duignan, for her unfailing support, for her remarkable reserves of patience, and for her understanding of his desire to finish the book. Now that that is out of the way I think they'll be seeing a lot more of each other in the future.