THE FOGGY DEW 2

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At last, the catalogue for The Foggy Dew is available. Regular readers will know that this exhibition blew my mind when I first saw it at the beginning of 2016.

The catalogue is quite an ingenious production. As well as including shots of the exhibition it gives us an insight into its assembly, somewhat on the lines of those additional features that come on film DVDs. There is also an essay by Ciaran O'Neill, Ussher Lecturer in History at TCD, setting out some of the background.

The exhibition itself ran from 15 January to 21 February 2016 in the RHA. It then went on to the Ballinglen Arts Foundation in Ballycastle, and the Ballina Arts Centre, Co. Mayo from 16 July to 21 August 2016. I would like to thank the artist and author for permission to use the material below.

Extract from Mick O'Dea's copybook 1970/71

Mick O'Dea is from Ennis, Co. Clare, and his views of 1916 were formed by his environment and particularly the hubris of the national celebration of the 50th anniversary of the Easter Rising in 1966.

Fortunately he has kept some of his school copybooks from the period and the catalogue gives us some very interesting illustrations from these.

The format of the catalogue is itself reminiscent of one of those special hard cover copy books we had in school, more often than not for science subjects.

Finishing off Britannia

The shot of Mick putting the finishing touches to Britannia gives a good idea of the scale of the project and the materials used in the three dimensional elements of the exhibition. The crudity and anonymity of cardboard was cleverly crafted and, when combined with some excellent bespoke lighting, really hit you for six.

British troops awaiting capitation.

The use of bodies suspended in the air and simulating the after effects of explosions capped the whole thing with a sense of movement.

Daniel O'Connell and friend

Ciaran's essay is great background to both the artist and the events he portrays.

I have two (small) bones to pick with him, however.

My experience of birds on O'Connell's head has been of seagulls and not pigeons and I suspect that the image here is closer to one of the former. I can't speak for what they do in Ennis and, anyway, I don't think my sight would stretch to the elevation down there.

The scene well in advance of the 1916/1966 parade.

Ciaran says that the 1966 celebration parade "marched past the stump of Nelson's column". A very poetic evocation of independence gazing down on shattered empire. Except he does an injustice to both the Defence Forces and the Corpo. There was no stump by then. The scene was as if Nelson had never been there - gone, obliterated.

While Britannia's Huns
with their long range guns
sailed in through the foggy dew.

I'll leave you with this powerful image of Britannia and, hopefully the words of that powerful song ringing in your ears

THE FOGGY DEW

Academy House (RHA HQ) in Abbey St. on fire during the Rising
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I actually went to the exhibition to see this picture and ask if I could use it in a talk I'm giving on Gordon Brewster. The picture depicts the blazing Royal Hibernian Academy (RHA) building in Abbey Street in 1916 during the Rising. The annual exhibition was on at the time and all the exhibits were lost in the blaze.

“Everything was destroyed. The studios; the Academy collection; all the records; everything they’d built up from 1823 and before that — including an entire suite of Goya’s ‘Disasters of War’ from when the French invaded Spain. The Keeper Joseph Malachy Kavanagh ran out of the building saving the charter, some account books and the president’s medal.”

Mick O'Dea, artist.

The very discerning viewer may notice "two prints from Goya's Disasters of War floating in the lower right hand side, one of the prints depicts a Spanish guerrilla being executed by the French, all lost in the fire."

Gordon Brewster's exhibits at the RHA

Two of the exhibits destroyed were by Gordon Brewster, graduate of the Metropolitan School of Art (later to become NCAD), chief cartoonist with Independent Newspapers and subsequently in charge of the art department of the newspaper.

The British Hun (Britannia) and the gunship Helga

However, I soon came under the spell of the exhibition as a whole. The above is a depiction of the general onslaught by the British forces on the city centre during the Rising. As well as the cardboard sculpture of the British Hun, it includes a representation of the gunboat Helga, which bombarded the centre, and bodies all over the place.

A very British Hun

I must say the Hun really got to me. Shades of Darth Vader, were it not for the clear visual gender identification.

Dominatrix Britannia

Maybe it just has something to do with women in uniform. Anyway, best to get back onto neutral ground and let the song speak for itself: "While Britannia's Huns, with their long range guns sailed out o'er the foggy dew".

A riderless horse flees from the GPO

Not forgetting the GPO and the general slaughter on the streets of Dublin.

The fall of Nelson in 1966

Despite an intensive bombardment of O'Connell St., Admiral Nelson, on his high perch, was one of the three major monuments which escaped virtually unscathed. It took another fifty years to unseat him, so to speak. So while the exhibition is about 1916 it also takes in the "act of war" perpetrated in the same location on the 50th anniversary of the Rising. And that blow completed three strikes against the buildings of Francis Johnston in the city centre: 1916 - GPO & RHA HQ; and 1966 - Nelson.

Daniel O'Connell with his perennial companion

I was going to say that Daniel O'Connell must have looked on all of this with amusement but, given how he backed down on Clontarf, he must really have been appalled.

General view of the exhibition

This room of the exhibition, consists of four very large canvases and a series of cardboard sculptures by Mick O'Dea, currently President of the RHA. The ensemble is a provocative piece of work, particularly when you take into account the controversy surrounding the period and its fleshing out with evidence based historical research since the naïve triumphalism of the fiftieth anniversary in 1966.

A panel of 18 of the 20 prtraits in the exhibition
of those directly involved in the Rising

An equally important element of the exhibition, and for some the most important part given Mick's reputation as a portrait painter, is a vast panel of portraits which you encounter on your way to the room described above. These include the 1916 leaders but also others directly involved in the Rising.

You can read an excellent in depth interview with Mick by Joe Ó Muircheartaigh here and check out the 1916 room in Coláiste Mhuire referred to in that interview here.

You can hear Mick's interview with Seán Rocks on the RTÉ Radio 1 ARENA programme here and check out Mick's own website here. I've blogged the catalogue here

Todays Academy House in Ely Place

The current exhibition, in Gallery 1, which ends on 21 February, will be followed, on 22 March, by one in the Foyer about the events which took place at Academy House in 1916 and the subsequent history of the annual exhibition and RHA premises.