Sunday, July 14, 2019

PATRICK JOSEPH MEDLAR


Patrick Joseph (PJ) Medlar
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I have recently published an article on Patrick (PJ) Medlar in the Dublin Historical Record (DHR).

Patrick was married to my granny's sister, so I suppose he was a grand-uncle by marriage (or maybe a brother in law twice removed).

The article relates details and stories about the Medlar family which I have sussed out over more than a decade researching my family history.

I never met Patrick but his daughter Mai (a first cousin of my mother's and my godmother) was a lifelong contact and in the latter years of her life she told me titbits about the family which I followed through with some serious research.

In recent years, Mai's brother Paddy has been feeding me documents, artifacts and photos which have added immeasurably to my knowledge of the family. He gave me another lot the other day and they add some interesting angles to some of the information I had included in the article. So I thought it might be an idea to reproduce some of them here with comments.

The photo above is of a younger PJ than I had seen to date. It was very badly torn into two pieces. What you see above has undergone some degree of restoration.

The DHR article is available on my website (with the kind permission of the editor).


This is a scan of a (not too professional) studio photo of a framed address. There was a custom in those days (here May 1911) of organisations or groups of supporters drawing up an address to an honoured person to be presented on a specific occasion. Parnell, for example, was a multiple recipient of such effusions.

The one above was presented to PJ on the occasion of his marriage to Tess Burgess (my granny's sister) in May 1911. A few features caught my eye. It is from the Ancient Order of Hibernians.



And it contains interesting photos of the couple (?), PJ with his sash and all.



The text is, for the most part what you might expect, but it contains the following interesting reference:
When we look back through the many successful years of your Presidency we cannot but recognise the sincere regard you always evinced for every members welfare who came in contact with you, and which has made you a host of friends, and endeared you to all.
So what was he president of? The local branch or the Order nationally. I'll have to follow this up at some stage, but if any reader has a view, comments are open below.



I mentioned in the article that his daughter Nell died of TB in 1929. She was sixteen years of age. TB was a scourge of the land at this period and in many cases attempts were made to hide the cause of death as there was huge stigma attached to it.

The receipt above is from Mount Jerome for the burial fee. Nell was buried in a newly opened grave which had not yet been purchased by the family.

The manuscript annotation in the top left corner is interesting. It says Massey the name of a rival funeral undertaker. It may be that in times of such grief, the funeral is outsourced, even by an undertaker himself.



This looks like the grave was bought the following year by Nell's mother Tess. As I said, TB was indeed a scourge and Nell was followed by her mother, who also died of TB, some five years later.



The third and final occupant, so far, of the four person grave, is PJ himself, who died in 1949.

It is interesting that the undertaker here is Claffey & Son. PJ had been in partnership with Charles Claffey from 1916 to 1927, when they presumably fell out. Claffey's business now appears to be in the hands of the son and whatever rift there had been had presumably been healed.

There are a few morsels of information resulting from the partnership which I did not mention in the article.

My godmothe Mai was born in the Usher's Island premises which had been and clearly remained at the Claffey end of the business.

Also, when I started in Coláiste Mhuire, in secondary school, there was a boy in my class called Paddy Carberry. It turned out my mother knew his mother. Mary Carberry had been born Mary Claffey.



And if you look carefully at the receipt you'll see that the odd 17/8d. was knocked off the bill. Full reconciliation or what?



This is a receipt for the funeral of Christopher Hanlon in 1915. I don't know why it was in PJ's papers.

Note, the line Late of A. O'NEILL & SON. The previous year, 1914, PJ had been living at 120 James's Street where his son John had been born. This was the premises of O'Neill's undertakers. I knew he had been living there, but it is clear from this document that he had been apprenticed to O'Neill. And now, by 1915 he had his own premises at 48 James's Street.

And 6/6d. for the habit. I wonder what sort of a habit that was? I know my granny was buried in a Third Order habit but I don't know if that was negotiated through the undertaker or if she already had it from the Franciscans.

The only other thing to note about this and previous receipts is the official stamp. I remember this practice from my own youth. I'm not sure if it made the receipt more legal but it was certainly a source of revenue for the government.



By 1924 we have the Medlar and Claffey partnership, with just the two addresses 48 James's Street and 17 Ushers Island. I'd better not leave James Joyce out of this; his short story The Dead in Dubliners is set only two doors away at 15 Ushers Island. That house is still there but the old undertakers has given way to flats (sorry apartments).

Note the more expensive habit than in the previous document. And don't ignore the glaring misprint in the name.

The dates in this document suggest a deposit may have been paid in February 1922 and the balance in February 1924, or maybe they just got their dates mixed up.



As mentioned in the article, PJ was a City Councillor during 1920/24 and 1930/42. I went through the Corporation minutes and reports for these years in DCLA in Pearse St. and fine handsomely bound volumes they are.

What I didn't realise was that Councillors, or was it only Aldermen, got personally inscribed copies of the volumes. This is PJ's copy



And this is just a close up of the embossment.

I love Ó Medlar.



I knew all about the Medlar Bridge references in this period. I also knew that PJ had been briefly suspended from the Council and co-opted back shortly afterwards. But I had no idea why and that did bug me.



Click on image for a readable version

Then along comes Paddy with the above volume for 1933 with page 317 marked, where all is apparently revealed.

I'm not sure about this on reflection though. Initially when I saw this entry I thought the mystery was solved. I thought PJ's simultaneous membership of the Council and the Asistance Board might have been a conflict of interest and that he was being suspended from the one because of his membership of the other. Now I wonder if the text means he was being suspended from both for some other reason. Anyway, it can't have been too serious as he was coopted back onto the Council some months later.

I must have missed this reference in my original extensive trawl of Corpo reports. To be fair to myself, it's not in the index/contents of the report and these reports had not been digitised at the time (and I don't think they are yet).



I also mentioned in the article that PJ had gone into the estate agent business. I had not known the name under which he was trading. It brings a smile to family members and if you look closely you'll see why.



This is a photo of PJ's wife Tess and their daughter Mai. I included a copy in the article but that was taken from a photo of a small photo on Mai's mantlepiece in Iveagh Trust in Patrick Street. Paddy turned up with a very clear monster copy and this is a detail from that.

Many thanks to Paddy for all these documents and for all the material he has supplied me with over the last decade or so.



Finally, a photo of PJ during (I think) his alderman period. Again, I had a version of this in the article from Mai's mantlepiece but Paddy's version is better.

Friday, July 05, 2019

PRESS PHOTOGRAPHER OF THE YEAR


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The Press Photographers Association of Ireland gives an award for best press photographer of the year from among its members. Competition is fierce and all the prizes are fiercely contested. Prizewinning and shortlisted photos are then assembled into an exhibition. Exhibits normally total around 100 photos out of an entry of around 2,000.

This is a national competition so the exhibition travels all over the country landing in all sorts of available spaces including libraries and shopping malls.

The original 2019 awards were in February last and since then the exhibition has travelled including to Dublin Airport and the RDS. Now it has reached The Lexicon in Dún Laoghaire. As I hadn't been before I thought I'd go to the launch in dlr lexicon on 3/7/2019.



Shay Brennan, Tom Honan & Tom's son

Tom was named Press Photographer of the year. Shay is Cathaoirleach of Dún Laoghaire & Rathdown County Council and Tom's son is the boy in the picture Eskimo Boy which won first prize in the portrait section.



Marian T Keyes

I won't confuse you with formal titles but Marian is the boss lady at the Lexicon (new Dún Laoghaire library to you). She welcomed the crowd to the exhibition.

As far as I could make out from visually cross referencing the Press Photographers Association of Ireland website a fair proportion of those present were press photographers, not surprising as the photos on display were from a total of 25 press photographers.

Marian was pleased the library was hosting this prestigious event. In fact one of the speakers said that the Lexicon had hosted it every year since its opening in 2015 (if I heard right).

There is a lot of open space in this building so it is ideal for exhibitions of all sizes.



Shay is the newly elected Cathaoirleach of the County Council. Under current legislation the County could style its chairperson as Mayor, and some Councils do (eg Cork County Council). But DLR has opted for Cathaoirleach, the Irish language version of chairperson. In Ireland Lord Mayors are confined to Dublin and Cork City Councils.

Unlike the Lord Mayor of Dublin, he doesn't have King Billy on his chain, rather it is the county motto: Ó Chuan go Sliabh, which literally translated means from the harbour to the mountain. However, the normal English language version is From the Mountains to the Sea. There's a nice little PhD hiding in there somewhere.

Anyway Shay was pleased to have this national event taking place in, I almost said, the Borough.



Crispin Rodwell

Crispin is the current President of the Association. He explained that the event now had a new sponsor in the TSB and he hoped that this relationship would continue for as long as that with their previous sponsor, some sixteen years, if my memory serves me.

He was pleased that this year the exhibition was again going on tour around the country facilitated by the TSB sponsorship.


The news page of the website which includes an account of this year's winner suggests you visit www.ppai.ie for exhibition tour updates and to view the full collection of winning and highly commended images. However the series of full awards and exhibits currently only goes to 2018. When they get round to putting up 2019 you should get it here.



The man from the TSB




Tom said how thrilled he was to have won and thanked all concerned.




I checked out the exhibits and while not in the least disputing the judges' decisions, and there was a whole committee of them, which is good, I'd like to show you and comment on just a few of my favourites.

A small qualification, however. The images below are photos I took of the exhibits, and in any non customised space, the exhibits can pick up lighting hotspots or reflections which are discounted by the human eye but shown up by the camera. So the quality of some shots is not as good as the originals. Here, this applies particularly to Leo and Mannix.

These photographers cover a huge number of events and take thousands of photos in a year. So there's bound to be gems. Sometimes these are made by the uniqueness of the event itself and sometimes by the photographer spotting, and catching some unusual aspect.

It's this last bit that I'm interested in and that's what struck me in most of what I've included below.



AN TAOISEACH LEO VARADKAR VISITS ENNISTYMON
by John Kelly, Clare Champion

This shot of Mr. Photo-opportunity and Spin has really caught an off-moment. Neither Leo nor the child is a happy camper and parents will be wondering if there is not a decision pending between towel or disposable.



ANYTHING YOU CAN DO
by Morgan Treacy INPHO

I had to look twice at this to take it in. A moment beautifully caught.



DUKE AND DUCHESS OF SUSSEX VISIT FAMINE MEMORIAL
by Frank McGrath INDEPENDENT NEWS AND MEDIA

There is something about this that just said YES to me. I haven't yet fully figured it out. It has to do with history but also with the colour tones and composition of the shot. A photo to haunt you.



PARA PREP
by Stephen McCarthy SPORTSFILE

This is Ukraine's Laroslav Semenenko preparing for day one of the World Para Swimming Allianz European Championships in Dublin. Again a haunting image that grabbed me and beautifully composed.



MANNIX FLYNN
by Brenda Fitzsimons THE IRISH TIMES

This one is probably more personal than purely photographic for me. Mannix leaves 18 Ormond Quay after occupying the building for 10 years.

I remember Mannix setting up and advertising his exhibition about clerical sex abuse and his own experience in Letterfrack in his unusually named premises anotherkettleoffishaltogether.

Tuesday, July 02, 2019

GAME OF SETS


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This is the third prong of the Helen Hooker O'Malley triad on show in Dublin at the moment. I have already posted on the launch of the NLI & GOP elements both of which relate to her photography. This is something completely different.

Helen founded the Players Theatre in 1945, in collaboration with Liam Redmond and Gerard Healy. She had trained as a graphic designer and became the stage and costume designer for Players hence the sets maquettes, ten of which have been donated to the Dublin City Archive by her son Cormac.

Looking at the photo of the stage set above you could imagine it was a full size set. But the maquettes are tiny and the details in them are amazing.



Anne Marie Kelly

First the formalities of the launch of this exhibition on 26 June 2019 at the Dublin City Libraries and Archive in Pearse Street.

Anne Marie is responsible for development and marketing on the library development team.

The exhibition had been mounted in close collaboration with Liz D'Arcy, who did an unbelievable job on reconstructing and conserving these little masterpieces, and Cormac O'Malley who donated them.



Mary Clarke

Mary, as City Archivist, was the recipient of the donation and she was right pleased.



Liz D'Arcy

Liz has the magic touch, though it sounds far too simple when you put it like that.



She gave us some idea of the painstaking process of sorting all the bits and pieces in the pile into their separate sets, then restoring them individually and reconstructing the set. The level of detail here, and in such tiny sizes, was amazing, right down to the individual twigs in the fireplace and the underlying ash. We're talking 3D here and not just a paint job, though that too.

Liz explained the intensive ongoing contact between herself and Cormac in the USA via emails, photos etc. as all the elements (including the tiniest) of the sets were identified, restored, and put in place. At the end they discovered that the leftover pieces actually made up another set.

You might take a moment to check out Liz's video from her Facebook page.



Cormac Hooker O'Malley

Cormac was so engaged and passionate about the project that he called for a pause while he explained further minute details in the set.

I really felt thrilled to be present at this unveiling of a piece of history.



Lord Mayor Paul McAuliffe

The formal launch of the exhibition fell to the newly elected Lord Mayor of Dublin. Paul has many local connections, and he departed from his script, I should really say abandoned it, to identify with at least one of the locations represented by a maquette.



Cormac then spoke about his mother and the later fate of the maquettes which, of necessity, were just crudely folded up and packed into a suitcase as he travelled the world. Needless to say, under these conditions, they just fell more and more apart.

But that is not the whole story. He commented that the mould which Liz had to get off them had been picked up from various locations and a forensic study of this in itself would tell an interesting story.





I think Cormac is filling the Lord Mayor in on some further details.



So we get to the point where the Lord Mayor feels confident enough to tell us what it's all about.



This is a photo that Cormac wanted taken to pay tribute to his and Liz's intensive trans-Atlantic cooperation on the restoration and reconstruction. Congratulations to you both.



Cormac, Anne Marie & Mairead Owens

Mairead is the recently appointed Dublin City Librarian. She has had an impressively varied career and came from her most recent post as librarian at the Lexicon in Dún Laoghaire.





Liz, Gavin D'Arcy, Raymond Refaussé

Gavin is Liz's other half and Raymond is recently retired Librarian & Archivist at the Church of Ireland Representative Church Body Library.



Étáin Hooker O'Mallley

Étáin is Cormac's sister.



Diarmuid Peavoy

Diarmuid is a former classmate of mine.



Tanya Kiang

Tanya is the Director of the Gallery of Photography in Temple Bar which is hosting another leg of the triad.



I'm looking at a few more maquettes below, but first a recap on a "before and after" from Liz's Facebook page to remind you of the miracle.













An unexpected bonus, two of Helen's sketches for further sets found among the material.





I'm sorry to have to write this part of the post and I hope it doesn't deter anyone from coming to visit these miniature masterpieces with their more than colourful history.

When I arrived first, I thought I'd come on the wrong day as the Dublin Camera Club exhibition was still up and running.



I eventually realised that the maquettes were in the glass cases around the wall.

I had been expecting them centre stage, so to speak. I do realise that their small size would make it difficult for them to command immediate attention without the addition of a lot of back up material such as timelines, posters of the restoration process and perhaps the odd photo of a set on stage during a run in the Players' Theatre if such exists.

However that wasn't the problem. It was one of timing. The space is usually booked about 18 months in advance. I'm well aware of this as it came up when I was discussing the possibility of a photo exhibition of my own with Máire Kennedy way back. There used to be times when the space was empty for weeks but no more it seems.

Then, Liz only got the first set (Black Stranger) in December and the following nine sets in February. She began returning them, on a phased basis from the end of May. So there was huge time pressure and she put in a lot of additional hours at weekends and evenings.

In the normal course of events we'd be talking about an exhibition in early 2021. However the opportunity was seized to exhibit the sets at the same time as the Temple Bar exhibition and, fortunately, the Dublin Camera Club were not using the display cases. Had things turned out otherwise we might not have seen them at all at this stage. So full marks to Mary Clarke for not allowing the perfect to be the enemy of the excellent on this occasion and to Liz for rising to the occasion.

I asked Liz and she confirmed that this was one of the jobs of which she is most proud.

I do hope there will be another exhibition of the sets in the future along the lines I was expecting above. They are really fabulous and deserve to be appreciated against their full background. There is fabulous article by Aura McMenamin in the Dublin Inquirer setting out the background to the Players Theatre and the restoration and a promise of more to come.

And one final subversive remark - I think it's time Admiral Nelson called it a day. I know his head is upstairs but the Pillar does limit flexibility when planning exhibitions in this space. [Update 17/9/2019: Oops! I now realise that the (underlying) pillar is structural and its removal would bring the house down, and not in the theatrical sense of the phrase. Ah well, we have to work with what we've got.]



Do come in to see these maquettes. It is an opportunity not to be missed. The exhibition continues up to the end of July and I gather there will be a video in place shortly illustrating the restoration process (ie Liz at work). The Dublin Camera Club exhibition is due to be replaced by one on Tony Gregory.

The other two elements of the Hooker triad, in Meeting House Square in Temple Bar, are also well worth a visit. The Gallery of Photography leg continues till 1st September and the NLI Photo Archive leg until 1st November.





Photo courtesy of Diarmuid Peavoy