Saturday, June 20, 2015

Yeats & Howth


Pat Liddy
Click on any image for a larger version

In this decade of celebrations, including the 150th anniversary of the birth of WB Yeats, some serious effort is being put into claiming the poet for the Northside, well, part of him, at least.

Yeats's connections with Howth are tenuous enough. He lived there for three years in his late teens. He has the odd reference to the area in the odd poem. But that seems to be it.

Nevertheless that did not deter local TD and Minister for Culture, Aodhán Ó Riordáin, from organising a Yeats walk in Howth earlier today.

Our guide was the ubiquitous Pat Liddy (above).


An enraptured Aodhán Ó Riordáin

Aodhán (above) contented himself with what he referred to as the "housekeeping" ...


No rest for the wicked

... and, of course, him being a Minister, keeping in touch with the powers that be.


Pat's portable Public Address System

We had assembled at Howth DART station where Pat had given us an introduction and we had then wended our way up what he called the "sloping road" to St. Mary's Abbey. The abbey was originally founded when the monastic settlement on Ireland's Eye became too dangerous a location for the monks with the advent of the Vikings.


A smouldering Ireland's Eye

Pat was quick to draw our attention to the fact that they were probably still out there on the Eye (above), though God knows what there is now left to pillage. An alternative explanation is that this is just the remains of the other day's fire still smoking itself out.


Balscadden House?

Following this the group split up, with the fitter members doing the trek around to Balscadden House where Yeats lived for that briefest of brief periods.

I went back to Findlaters for the poetry readings but not before taking a distant shot in the direction of the house. And no, it's not that big house. It appears that all I got of it was the greenhouse at the extreme right of shot.

I missed the house because I didn't know what I was looking for and I'm not enough of a literary type to have wondered about it previously.


The real Balscadden House
Photo: Collette Gill

However, you can see the whole thing above (including the greenhouse), thanks to Collette Gill, who was also on the walk and who knew what she was at. Collette's focus is normally more on Clontarf/Raheny where she will be remembered particularly for her trojan work on commemorating the 1014 Battle of Clontarf all through last year.


Findlaters: initial confab

Back at Findlater's, it's first things first, with Fiach Mac Conghail, looking more like he was planning the actual Rising itself, rather than just sorting out his reading of Easter 1916.


Aodhán and the four readers

The first reading was by Fiach Mac Conghail who read Yeats's Easter 1916. This is a well known poem and I suppose the line that always stays with you is A terrible beauty is born.

The next was from Joanna Siewierska who took her life in her hands and recited rather than read her favourite poem, In Memory of Eva Gore-Booth and Con Markiewicz. Joanna is of Polish origin, has just completed her Leaving Cert, and is Deputy President of the Irish Second Level Students Union (ISSU). Her poem was gently delivered and very evocative.

The third contribution was from Laura Harmon, orignally from Cork but now in Dublin, who is currently President of The Union of Students in Ireland (USI). She also did a daring read, The Lake Isle of innisfree. It is a poem that I like despite its being hackneyed to death on school curricula and elsewhere. I actually lived on Innisfree very briefly way back in the distant past. I have heard W B Yeats reciting the poem (on radio) and it was woeful. He declaimed rather than recited it, but I suppose that was the style of the day. Laura's reading was much softer and intimate and a pleasure to hear.

The fourth and last contribution was from Brigid Quilligan, Director of the Irish Traveller Movement and herself a Minceir. She read The Stolen Child which she said transported her back to her youth every time she came in contact with it.


The Stolen Child

My own connections with Howth do not go back as far as Yeats - a mere seven decades. And my then tenuous connections with the artistic world never blossomed, though had I sat for a real artist like Gordon Brewster, who knows what might have become of me.

Mention of Gordon does, however, remind me of a further minor, but not entirely irrelevant connection. It was through the Yeats family that Gordon met his wife to be, a young lady from the North Strand who they asked him to teach to draw. At that time he was living in Strandville, not far from the house where WB had briefly lived some forty odd years previously.

Oh, and I nearly forgot to mention the Cocoa, well heralded by Aodhán, and the drink the Great Man drank as he wrote. This was served after the readings. I didn't get round to sampling it, but then I'm a Horlicks man myself.


Don't believe a word of it

I started with Pat so I'll finish with him here making a (finger) point which seems to be received with some degree of scepticism, by his nearest neighbour at least.


Tuesday, June 16, 2015

Gordon Brewster - In Memoriam


Gordon at work

Remembering Gordon Brewster who died on this day in 1946.

Gordon was Chief Cartoonist with Independent Newspapers and subsequently head of the Art Department in the first half of the 20th century.

One of my proudest moments was to give a talk on him in the National Library of Ireland last November in the presence of three generations of his descendants.


Background material here

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David Hedigan - In Memoriam


L-R: Niall O'Donoghue, David Hedigan RIP, Felix Larkin

On this day, Bloomsday, last year, David Hedigan did a Joyce reading at Niall's Martello Tower in Killiney. It was not only Bloomsday but his wife, Susan's, birthday.

It is fitting to remember David today, he died on 30 March 2015, RIP.

Saturday, June 13, 2015

Attribution


The Swastika Laundry in Lansdowne Road in the 1960s
Click image for a larger version

Those who know me know that I have a very open attitude to sharing information. I have a website and some blogs for a number of years and people are welcome to use the material I have compiled. I have done a whack of research on family and local (Killiney) history over the years and I have made the results available through illustrated talks and extensive background pages on my website. I am normally thrilled to see my stuff appearing on other people's sites.

So no problem there. I really only have two conditions (and expectations) when people use or draw on my stuff. I would like, and am entitled to, some credit for the material, and all I'm talking about here is a mention of the source. And I do not like people, either explicitly or implicitly, claiming that my material is in fact theirs.

I think that is a very reasonable attitude and I have put a Creative Commons notice on my blogs and website so that people are aware that they are free to use the material for non-commercial purposes, provided they credit it to me and do not mess it up.

Anyone who has asked me about material has found that I am not only happy for them to use it, I am prepared to help them and put in some extra work myself if this is needed.

So I have got a bit pissed off on a very few occasions over the years about what I consider unreasonable use of my material, the most recent of those being yesterday. I thought then that I would mention these few in a blog post, just to get it off my chest once and for all.

Old Dublin Town

This is a very interesting website and the webmaster has put a huge amount of work into it and deserves a lot of credit for assembling such a vast range of relevant material. I have only two gripes here.

Two of my pictures appear on the site without any indication of where they are from. The first is of the Swastika Laundry (above) on a page dealing with the laundry. And the second appears on a page dealing with Nelson's Pillar. There is no mention of where these came from though both are on my site. The first appears in my Signs of the Times section, and the second in an extended slide show on Nelson's Pillar.

My second gripe concerns a video which appears on the Nelson's Pillar page and which is viewable either on the page or on Youtube. The soundtrack is The Dubliners on Nelson but the visuals consist almost 100% of pictures from my slideshow. The Dubliners are given credit, not on the page but on Youtube, but I am not mentioned.

Ballybrack Parish

I lived in the parish for about twenty years and only left after getting married in this fine church. The parish subsequently acquired a chapel of ease in Killiney village. This is St. Stephen's and it is a beautiful little church. Imogen Stuart was the artist in residence for its construction and fitting out and she did a fabulous job. I took some photos on visit to Killiney some years later and they can be seen on my site. Imagine my surprise when in more recent times I was checking out some material in the parish newletter online only to find the complete set of my photos up on the parish site without any mention of where they came from. Fortunately, or unfortunately as the case may be, they are now gone off the parish site, swept away in a site revamp.

Dublin, the old days and ways

This interesting Facebook site appears to be of relatively recent origin and consists of a group of people who have an interest in Dublin's history and photographs relating to it. I don't know why it is a closed group, but as the only way I could check it out was to apply to join, I did just that. After a slight hiccup with the admin I was admitted and started checking out some of the rare old photos. I fairly quickly came upon a piece about a grand uncle of mine complete with a photo of his old premises in James's St. I was well into the text when I started feeling there was something familiar about it and then realised that it was actually a piece I had written for the Pues Occurrences blog in 2010. It appeared here without any attribution and one could be forgiven for thinking that the admin who posted it had written it himself.

Being the neurotic that I am, I posted a comment giving a link to the source of the text and photo. I also gave a link to a page on my site dealing extensively with a bridge, across the Grand Canal at Fatima, which had been referred to in the discussion on the post. And I also linked to a page on my site which gave a lot of background to a talk I had given on my grand uncle some years back.

I took it, from the blue line on the left of my comment, that comments were moderated, but imagine my surprise when I exited the page later to find I was no longer a member of the group. Fortunately I still had a copy of the page open and took a screen shot which you can peruse here.

The discussion was lively and shaping up well and I was looking forward to participating in it and talking to some of the people who had actually crossed the bridge while it was still there. If you're really excited by this little adventure of mine you can see an annotated version of my exchanges with the admin here.

It was a truly weird conversation as far as I am concerned. Remember, I am the injured party here. He is behaving like I have injured him and then to rub it in he is offering me personal advice. I understand he is a hairdresser by profession and, in this case, he would clearly be better confining his attentions to the outside of other people's heads.



So there you have it. Anonymous testimony to the worth of my work all over the internet.